Poor Johann Pachelbel, whose Canon and Gigue is invariably lumped with Albinoni’s Adagio and Vivaldi’s Four Seasons: we have advertising to thank for that and for turning those and many other pieces of classical music into something utterly trivial and cheap, which they clearly are not. Pachelbel was a friend of the Bach family (Johann Cristoph was his pupil, who in turn was his younger brother Johann Sebastian’s teacher).

I’ve always loved the Canon for its formal, predictable and yet playful form in opposition to some of the Adagio‘s more melancholic moments. It could be an illustration of a life that we long for but never get to live, one where every single experience is one of peace, tranquility, enlightening conversation, absolute love and summer sunsets.



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