Most mass-entertainments are in the end what D.H. Lawrence described as ‘anti-life’. They are full of a corrupt brightness, of improper appeals and moral evasions. To recall instances: they tend towards a view of the world in which progress is conceived as a seeking of material possessions, equality as a moral leveling, and freedom as the ground for endless irresponsible pleasure. These productions belong to a vicarious, spectators’ world; they offer nothing which can really grip the brain or heart. They assist a gradual drying-up of the more positive, the fuller, the more cooperative kinds of enjoyment, in which one gains by giving much. They have intolerable pretensions; and pander to the wish to have things both ways, to do as we want and accept no consequences.
Richard Hoggart — The Uses of Literacy (1957)
“C’était un rendez-vous” (It was a date), 1976: an 8 minute short by Claude Lelouch. One take, no effects, no speed-ups (apparently, no red lights, either).
For no particular reason, I’d like to remind you that my birthday is on the 11th of May. Carry on.
Our problems are not puzzles to be solved. This metaphor implies that all the necessary pieces are already on the table, they just need to be rearranged and reprogrammed. That’s not true. Innovation defined as puzzles and rearranging pieces and adding more processing power, is not some big idea that’s going to disrupt the broken status quo: that precisely is the broken status quo.
What’s Wrong with TED Talks? — Benjamin Bratton at TEDxSanDiego 2013
Do what you love and you’ll never work a day in your life! Before succumbing to the intoxicating warmth of that promise, it’s critical to ask, “Who, exactly, benefits from making work feel like nonwork?” “Why should workers feel as if they aren’t working when they are?” In masking the very exploitative mechanisms of labor that it fuels, DWYL is, in fact, the most perfect ideological tool of capitalism. If we acknowledged all of our work as work, we could set appropriate limits for it, demanding fair compensation and humane schedules that allow for family and leisure time.
And if we did that, more of us could get around to doing what it is we really love.
Miya Tokumitsu — In the Name of Love (Slate)
A brilliant animation by blank on blank. Lots more on their website.
…one which baffles most of the rest of the civilized world
You can have guns for hunting. You can have them to ward off Mexican drug lords or whoever is going to storm into your house. Keep them there, in a locked safe. And if we by chance ever need a well-regulated militia for a revolution or zombie apocalypse, by god, we’re going to be really happy you were born with a micro-penis.
Matt Bors — Dear Gun Nuts
Because Cate Blanchett, obviously. More (very) short films, directed by Janusz Kaminski, at the New York Times.